Elegant Milano Oak carries a grey-mauve cast that surprises most people who order on the name alone. Looking at the swatch directly, this is a cool limewashed oak with a distinctly pinkish-lilac undertone running through the greige, not the warm...

Luteous means yellowish, and this board is honestly not that. The swatch shows a light, cool greige: a soft mushroom-taupe with a faint grey-pink wash, restrained grain and very little golden tone anywhere in it. Of the six Contemporary decors...

Paris Modern Oak is the most rustic-looking floor in the Contemporary range. The swatch is a weathered pale grey-beige with deep sawn texture, heavy mineral streaking, dark filled knots and strong contrast between the lightest and darkest areas of a...

Warm, honeyed and distinctly golden, Elegant Natural Oak is the richer of the two Elegant decors and one of the warmest boards in the range. The swatch reads as a mid golden-brown with clear cathedral grain, amber lights and the...

Golden, amber and unmistakably oak, French Natural is the most traditional colour in the herringbone range. The swatch shows a warm honey tone with strong natural figure, cathedral grain running through the wider blocks and a handful of sound knots...

Danish White is not a white floor, and it is worth knowing that before you order. The swatch shows a light-to-mid warm beige oak with clearly visible grain, occasional darker mineral streaking and a soft whitened wash sitting over the...

French Ghost leans warmer than its name suggests. Rather than the bleached, ghostly white you might picture, the swatch is a light taupe-tan with a soft grey-brown wash over it, gentle board-to-board variation and the occasional small dark knot. It...

Fiano Brown is the warm mid-brown of the Natura Herringbone range, and the swatch backs the name up. It is a rich caramel-to-tobacco brown with strongly contrasting grain, darker knots and distinct amber lights running through the lighter boards. Set...

Despite the warmth its name implies, Ambient Sand reads cool underfoot. The swatch is a pale oyster greige: a soft, washed grey-beige with almost no golden tone in it at all, and a faint chalky lime sitting in the open...

Nothing else in this range goes as dark as French Carbon. The swatch is a smoky charcoal grey-brown that reads close to black in the shaded blocks and lifts to a deep gunmetal where the grain catches light, with a...

Golden amber with genuine rustic character, Vittoria carries open knots, dark grain lines and fine surface checking across a warm honey field - the most characterful of the warm decors in this collection. Florence covers similar ground but is smoother...

What sets Vichy apart is the variation between boards: some planks run pale and almost pink, others drop into a soft salmon-brown, and a few carry darker streaks and fine checking, so the finished floor has a patchworked, reclaimed-timber quality....

Oatmeal, sandy and faintly washed with grey, Verona is a pale oak that manages to stay warm without ever looking yellow. That balance is its whole point. Pau is cooler and chalkier and Tuscany is warmer and more biscuit, so...

Cool silver-grey oak, softly limed, with fine dark grain lines and small knots that give it just enough texture to avoid looking printed - Umbrina is the contemporary grey of the Ornato range. It is regularly compared with Morlaix and...

Biscuit and wheat rather than gold, Tuscany is a soft warm-neutral oak whose grain is so lightly drawn that from standing height the floor reads almost as a single tone. It is the quietest decor in the Ornato range. Blackbutt...

Light to mid honey oak with a gentle golden glow, Tivoli is the middle ground between the pale blondes and the deeper ambers in this collection. Against Le Mans it is a shade stronger and less apricot; against Vittoria it...

Oak Ostana is a pale blush oak - light, very even, and warmer than it first appears, with a soft pink-beige cast running through the whole board and grain that reads as fine texture rather than pattern. It is not...

Rome is a pale greige with a distinctly green cast - closer to sun-bleached olive wood or dry eucalypt than to a true grey oak - laid over a softly weathered grain with fine dark cracks. That green undertone is...