Eggshell is the decor in the Swish Bespoke range where the name does the most damage, because there is no off-white in it. The swatch is a warm honey oak - a mid-light golden tan with soft natural grain and...

Fawn is not the soft light tan its name suggests. On the swatch it is a mid-to-dark greyed brown - a cool, smoky walnut tone with restrained grain and very little warmth in it - and it is one of...

Floria is the palest board in the Swish Bespoke range and nothing like the honeyed oak the name suggests - the swatch is a soft whitewashed grey with a faint mauve-taupe cast and grain that reads as fine texture rather...

Blackbutt Light sits at the lighter end of the Swish Bespoke range, but the swatch is not the pale blonde the name implies - it is a warm golden honey-tan with a soft amber base and the fine, mostly straight...

Magnolia is a creamy golden blonde with a warm, buttery undertone and softly figured grain - light in feel, though not among the palest boards here, which are Floria and Nutmeg. The direct comparison is Eggshell, and the two are...

Jarrah is the deep red-brown of the Western Australian hardwood it is named after - a rich, slightly purple-leaning brown with dense straight grain and a real sense of weight to it. Nothing else in the Swish Bespoke range goes...

New England Blackbutt is the paler half of this range's blackbutt pairing, which is the reverse of what the two names imply. The swatch is a soft creamy blonde carrying the species' fine straight grain and only light natural streaking,...

Linden is a cool, quiet mid-grey - a softly greyed timber with understated grain and almost no colour push in either direction. It is the most restrained board in the Swish Bespoke range. Set against Fawn, the other cool decor...

Nutmeg has none of the spice-brown depth its name suggests - the swatch is a light sandy greige, a pale neutral tan with quiet grain and just enough grey in it to stop it reading as yellow. It is one...

Sydney Gum is a warm golden eucalypt decor with real character in the grain - amber and honey tones, clear tonal jumps from board to board, and occasional darker figuring. It is considerably warmer than the grey-gum associations of the...

Vivid is a good deal quieter than its name - a light greige oak with a soft taupe base, gentle plank-to-plank drift and low-contrast grain rather than the high-drama figuring you might expect. It sits very close to Nutmeg in...

Velvet is a warm mid-brown rather than the near-black the name tends to suggest - a tobacco-toned oak with golden undertones and visible plank-to-plank colour drift. It is a genuine mid-tone, comfortably lighter than Fawn and Jarrah, which are the...

Berlin Oak is the most neutral board in the AquaGlow range: a light natural oak with soft, even grain and no strong pull towards warm or cool. It's the safe specification when the rest of the room isn't settled yet,...

Caramel Oak is warmer and deeper than the pale boards in the AquaGlow range: a mid greyish-brown with enough warmth to feel inviting but not enough to read as golden or orange. It's the middle ground of the range, and...

Hamburg Oak is the palest board in the AquaGlow range: a soft cream-greige with a faint cool cast and delicate, fine grain running through it. It's the closest thing here to a limed or whitewashed oak, and it does more...

London Oak is a greyed taupe: a mid-tone brown with the warmth pulled back and a soft grey wash over the grain. It's the most contemporary board in the AquaGlow range, and the one that sits most comfortably in apartments...

Los Angeles Oak is the warmest of the pale boards: a sandy blonde oak with a clear golden undertone and soft grain movement. It brings light into a room without the coolness of a grey-washed floor, which makes it a...

New York Oak is a natural mid-light oak: a warm sandy beige with a subtle greige cast and clear knot and grain detail running through the boards. It sits between Berlin Oak and Caramel Oak in depth, which makes it...